By Lincoln Goines, Robby Ameen

Designed for drummers and bass gamers, this book/CD lays out a step by step method of combining Afro-Cuban rhythms with rock, funk and jazz.

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Additional resources for Afro-Cuban Grooves for Bass and Drums

Sample text

It is most effective in adding extra strength when necessary, and even in pianissimo chords, where distinctive accent is required, it will be found to apply successfully, though with these, of course, the turning and connecessary. ADVANCED TECHNIQUE: THIRDS, SIXTHS, OCTAVES traction of the hand will only amount 59 to a slight pressure abruptly administered. In general, I advise that with all chord playing, whether in abrupt individual cases or in successions of legato chords, the strength and volume of tone should be produced by concentrated pressure from the forearm.

C. G. C. G. C, / 2. (I). (I)- Thumb. The itself is idea how is Thumb. COThumb. same as in the scale. The problem which presents smooth over the jump between G and C. On the the to accompanying diagram FIG. 3. 3- Showing I attempt to show, by the small lines under- the 3rd finger placed with raised wrist for passage of thumb. ieath the notes, how the finger which falls just before the thumb (in this case it is the 3rd, on G) is raised from the wrist and inclined towards the direction to which the hand has to proceed.

ELEMENTARY PRINCIPLES FOR STUDY S9 FINGER CONTROL To set up whole matter and condense it, the principle on the keyboard should be established by the the hand and the forearm, the wrist remaining entirely recapitulate the is that all control fingers, my This, in opinion, applies to all finger technique, supple. essential for arriving at a completely successful issue. and is Care must also be taken not to allow any beating of time by the head or foot, as this may easily degenerate into a nervous trick, and certainly tends to encourage jerky and rigid movements of the It is body.

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Afro-Cuban Grooves for Bass and Drums by Lincoln Goines, Robby Ameen


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