By Harry Sebastian Wake
A collection of 7 full-scale operating drawings (11x40 fold-outs) for a violoncello and the mildew on which it's equipped. including plans (six 11x17 fold-outs) for a collapsible trip 'cello. The books by way of H. S. Wake are targeted in that they provide own "over-the-shoulder" information and entire scale plans for making and taking care of tools within the violin kin. they're effectively used across the world. All books are spiral-bound softcovers made to stick open flat at the table or workbench. H.S. Wake's bestselling books comprise: "To Make a Double Bass", "A Strad version 'Cello Plans", "Viola Making Plans", novice mess around Makers Q and A", Violin Bow Rehair and Repair", "A Luthier's Scrap Book", and, "The means of Violin Making"
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In this respect, medieval legends are similar to the modern myths which Roland Barthes so entertainingly discussed a half century ago, one of these being the 1953 film Julius Caesar in which Marlon Brando plays Marc Antony. Brando’s character is certainly based on the historical Marc Antony. 72 So, for example, when late medieval writers made an eighth-century warrior into a contemporary artistic and knightly hero, they were creating a new, mythic Tristan de Leonnois which would inspire their audiences.
A specific connection between trouv`ere song and motet is the so-called motet ent´e, a term found in two chansonniers; it describes what appear to be monophonic songs. Fifteen are in trouv`ere manuscript N, and sixty-four others survive in another source without music. It is not clear whether they were intended to be sung alone or as part of a motet. 8, does the same music survive for both a motet and monophonic song or refrain. 8. Troubadour and trouv`ere songs surviving in motets 67 Song (1) Tan (Molt) m’abelist (PC 155,22) (2) L’autrier cuidai aber druda (PC 461,146) (3) Pour conforter mon courage (RS 19) (4) En nom de dieu c’est la rage (RS 33) (5) Orendroit plus qu’onkes mais (RS 197) (6) Hui matin a l’ajournee (RS 491a) (7) Onques n’aima tant com (RS 498) (8) Quant la saisons desiree (RS 505) (9) Chascuns qui de bien (RS 759) (10) Quant voi le douz tens (RS 1485) (11) Main s’est levee Aelis (RS 1510) (12) Quant florissent li buisson (RS 1852) (13) D’un joli dart (vB ref.
27 Moreover, the alphabetically ordered chansonnier O follows this same hierarchy within each one of its letter groupings. It is no coincidence that all four of these poets were prominent members of the aristocracy and therefore had the connections and means to have their songs written down. This leads me to my final point, for the generous sections devoted to Gace, Thibaut, Adam de la Halle and troubadour Guiraut Riquier especially suggest that separate, bound booklets of their songs probably circulated prior to the period of chansonnier compilation.
A Strad model 'cello : plans by Harry Sebastian Wake